Oklahoma City Museum of Art acquires Thomas Cole painting 'An Italian Autumn'
The Oklahoma City Museum of Art has announced that it has acquired “An Italian Autumn” by renowned American artist Thomas Cole.
A major work by an American master, it adds to the museum’s strong collection of American art prior to 1945 and allows for new research and scholarship on Cole and 19th-century American art, according to a news release.
“We’ve long desired a major Thomas Cole painting for our growing collection of 19th-century American art,” said museum President and CEO E. Michael Whittington in a statement. “Cole’s romantic and deeply spiritual vision of the American landscape set a dramatic course that still influences artists today. We are profoundly grateful for the James C. Meade and Virginia W. Meade Acquisitions Fund for 18th and 19th Century American Art and the Beaux Arts Society Fund for Acquisitions for making this purchase possible.”
Cole is considered the founder of the Hudson River School, the first major homegrown artistic movement to emerge in the United States. Born in Britain in 1801, Cole moved with his family to America in 1818. He enjoyed great success by the end of the 1820s through his work painting landscapes in the Catskills region of New York. He went on to pursue a grand tour of Europe, traveling extensively throughout Italy. It was during this trip that Cole found inspiration for “An Italian Autumn.”
“An Italian Autumn” presents a romantic Italian landscape featuring numerous poetic and narrative details. In this large-scale oil painting, measuring 32 by 48 inches, the viewer is shown a theatrical scene in shadow in the foreground while an exquisite sun-soaked landscape remains mostly out of view behind.
Similar to Cole’s work “Voyage of Life,” “An Italian Autumn” exists in two versions, both by the hand of the artist. The other version is part of the Museum of Fine Arts, Boston’s prestigious M. and M. Karolik Collection of American Paintings, 1815-1865.
Cole died in 1848 at age 47, leaving behind one of the greatest legacies in American art. His work has been featured in major publications and exhibitions at the Smithsonian, the Tate Britain, the Louvre and the Metropolitan Museum of Art.
The Cole landscape is the latest in a series of exciting acquisitions the museum has announced in the past year. As previously reported, the museum announced last month it had acquired a new large-scale work by celebrated African-American portraitist Kehinde Wiley titled “Jacob de Graeff” and a small mid-17th century still life from the Golden Age of painting, “Still Life with Fruits, Flowers, Game and Fish” by Flemish painter Jan van Kessel the Elder.
Also as previously reported, the museum acquired last summer “Fireworks (Archives)” by award-winning Thai filmmaker and artist Apichatpong Weerasethakul, a highlight of Apichatpong's exhibit “The Serenity of Madness,” which made its last North American stop last year at the OKC Museum of Art.
The new acquisitions are to be highlights of “From the Golden Age to the Moving Image: The Changing Face of the Permanent Collection,” a reinstallation of the museum’s second-floor galleries that will be unveiled in phases throughout the spring. A fresh presentation of the museum’s permanent holdings is the culmination of three years of intense research and examination by its staff.
“An Italian Autumn” will be on display on the second floor beginning Friday as part of “From the Golden Age to the Moving Image: The Changing Face of the Permanent Collection,” according to the news release. Cole’s painting will headline a new landscape and animal painting gallery that also features works by George Inness, Gustave Courbet, Thomas Moran, Jasper Cropsey, Hans Hofmann, John Sloan, Oscar Brousse Jacobson, Doel Reed and Alexandre Hogue, among others.
The Oklahoma City Museum of Art is located at 415 Couch Drive in downtown Oklahoma City. For more information on the museum’s new acquisitions, go to www.okcmoa.com or call 236-3100.